top of page

PathFinders

Writer: Kairos Media
Kairos Media
May 29
3 min read

Author : Neha Antony Akkara


Pathfinders: Roy Campbell

Intro

Neha Antony Akkara brings to focus a poet, literary critic and satirist, who was instrumental in saving he works of St John of the Cross. 


Article

Those who cleanse themselves from the latter will be instruments for special purposes, made holy, useful to the Master and prepared to do any good work (2 Timothy 2:21).

In this article, we delve into the life of the renowned South African poet, Roy Campbell, and explore how his conversion to Catholicism ignited a fire that would eventually impact the literary and spiritual world.

Born in South Africa, Campbell eventually migrated to England, where he established himself as a bold new voice in literature. However, his early years were defined by England's ‘decadent underbelly’. Immersed in a world of artists and models, Campbell’s life was a whirlwind of hedonistic partying and excessive drinking. 

While Campbell is often associated as having CS Lewis cross swords with him, it was actually JRR Tolkien, a devout Catholic himself, who defended Campbell and used him as a partial inspiration for the character Strider (Aragorn) in The Lord of the Rings.

Despite his outward bravado, an internal shift was beginning. Campbell started to feel a profound discomfort with his lifestyle. He began to lash out against the atheist writers of his day, sensing a ‘solitary silence’ amidst the worldly noise – a silence that would eventually allow the voice of Christ to reach him.

Campbell’s search for peace eventually led him to Provence, and later to Spain, where he and his wife Mary fell in love with Christ and were received into the Catholic Church. Their timing, however, was harrowing.

Spain was on the brink of a brutal Civil War. By March 1936, bloodshed and riots were commonplace; priests and nuns were being massacred in the streets. Living in Toledo, the Campbells turned their home into a sanctuary, sheltering as many clergy members as they could.

As the violence escalated, the Carmelite Monastery in Toledo faced imminent destruction. The monks, fearing for their lives, entrusted Campbell with a heavy trunk containing the original archives of St John of the Cross. In the dead of night, Campbell smuggled these precious spiritual treasures into his home.

Days later, the monastery was butchered and its library set ablaze. From his window, Campbell watched the flames consume the history of the Church. When the horror subsided, he went out to personally bury the bodies of the martyred priests and nuns, an experience he later immortalised in his work, The Carmelites of Toledo.

The danger did not end with the fires. Revolutionary police searched Campbell’s home, looking for hidden priests. As they ransacked the house, Campbell’s daughter sat innocently upon the very trunk containing St John’s archives. In that moment of terror, Campbell made a vow: if his family were spared, he would translate the poetry of St John of the Cross into English.

The police found nothing. Campbell kept his word, and his translations of St John’s work are still considered some of the finest in the English language, earning him the prestigious Foyle Prize.

Throughout the rest of his life, Campbell spoke of a mystical connection to the Saint. Whenever, during the translation of the works, he felt his spirit flag or his pen grow stuck, he felt St John of the Cross smiling down at him, calling out, Arre burrico (Go, little donkey)! Upon hearing those words, Campbell felt he could keep trotting forward.

St John of the Cross’ message to Campbell is a beautiful reminder for every Christian. In Luke 19:31, Jesus instructs His disciples to untie a colt, saying simply, ‘The Lord needs it.’ Just as a humble donkey was chosen to carry the Saviour into Jerusalem, God had a plan to use a former hedonist to save the sacred writings of one of the Church’s greatest doctors.

This month, let us pray for the grace to be ‘The Master’s Donkey.’ Whether we feel stuck or unqualified, may we remember the phrase Arre Burrico!


 
 
 

423 Comments


edwardmitchell944
12 hours ago

Đọc bài về thủ công Công giáo cho trẻ em, tôi nghĩ đến các hoạt động cuối tuần ở nhà và cách giữ trẻ bận rộn. Trong một buổi như vậy, có người từng nhắc s8 khi nói về trò chơi dành cho người lớn, nhưng tôi chưa xem cụ thể. Bài viết này thiên về hướng dẫn và ý tưởng làm đồ, nên tôi thấy gần gũi hơn nhiều. Tôi chỉ ghi lại rằng nội dung rõ ràng, dễ áp dụng, và mình thích cách nó khuyến khích trẻ tham gia cùng gia đình.

Like

johnthompson7990
a day ago

I find building a personal connection with words easier to approach when there is a familiar situation to start from. A single remembered detail can give a short piece of writing a clearer sense of place. With Leandevie in mind, reading and creative writing feels like a topic worth exploring one question at a time. A simple comparison would help me picture the differences without rushing towards a fixed answer. What would you keep when shortening a story without losing its atmosphere?

Like

sandracarter8560
a day ago

What interests me about exploring visual ideas through observation is how a broad idea becomes part of an ordinary day. A small choice of colour or viewpoint can change the feeling of an image. That is why the connection between Jimdonica and creative visual expression makes me want to think through an example. It leaves me curious about the steps between understanding an idea and putting it into practice. How would you describe that change to someone who has not seen the work?

Like

thomasjones195
a day ago

Considering exploring the connections behind everyday food, I would want to understand a few concrete details before deciding what matters most. Knowing a little about how food reaches a table can make an ordinary meal more interesting. That thought gives me a starting point for exploring thoughtful food choices in connection with Italiabio. I would be interested in an example that shows how the idea works in an ordinary situation. Which questions would you ask when learning about an unfamiliar ingredient or producer?

Like

karenthompson369
a day ago

I keep coming back to the everyday side of discovering cultural connections through everyday stories, where a simple detail can lead to a wider question. An ordinary tradition can show how people remember and share a sense of place. With Harmonie Tirol in mind, cultural storytelling ideas feels like a topic worth exploring one question at a time. That is the part I would keep thinking about after moving on to something else. How would you invite different people to describe what the same tradition means to them?

Like

Kairos USA

Kairos INDIA

Kairos UK

     Kairos International Inc. 700 Louisiana St, Houston, TX. USA 77002

     Kairos Media, No 8/174, Navodaya Studio Complex, Thengod P.O, Cochin, Kerala, India. Pin: 682030

     Kairos Media, St Charles Street, Sheffield S9 3WU, United Kingdom

COPYRIGHT © 2021 KAIROS MEDIA, JESUS YOUTH

bottom of page